Straight Line Crazy: Urban planning between exclusion, imposition and contestation ★★★★
By Sophia Appl-Scorza Empty, uniform space: composed of grey, concrete-like material, the stage ranges into a seated audience, that, unable…
Breaking the bias: Women’s Rights Week at LSE 
By Natasha Porter Picture credit: LSESU The 8th of March marked International Women’s Day, with celebrations taking place around the…
Killing Eve Season 4 wavers between surreal and beige, before ending in embarrassment ★★
By Ben Helme *Minor spoilers throughout* A parody of a former great. With air-guitar, quirky cameos, and drag-Jesus, it might…
An American Nightmare? : ‘America in Crisis’ at the Saatchi Gallery
By Namrata Menon ‘America in Crisis’ was devised in 1968, to chronicle the year’s fraught political arena and contextualise a…
Aldous Harding ‘Warm Chris’ : Nectar for the Bored ★★★★★
By Ben Helme Harding created my favourite album of all time, 2019’s ‘Designer’, so I was excited for her much…
The Laughter Therapist: not quite Fleabag ★★★
By Sonja Belkin and Megan Széll The Laughter Therapist bills itself as the ‘perfect watch for lovers of Fleabag’ – an…
Surrealism Beyond Borders ★★★★
By Jessica Pretorius Tate Modern’s Surrealism Beyond Borders is a jam-packed, whistle-stop-tour of Surrealism. The exhibition is certainly interesting, sometimes…
Fight Night 2022: the fighters’ experience
by Sofia Gerace & photo by Kenneth Liew Fight Night, one of the most anticipated sport events at LSE, took…
Social life in…
edited by Alina Chen and Sadia Sheeraz cover image illustrated by Vaneeza Jawad Pulse Radio (Sunny O’Neill) At Pulse, pub-hangs…
Study spots near campus that aren’t the library
by Anna Berkowitz I’m sure you don’t need a reminder that exam season is approaching fast. I don’t know about…
