JARV IS AT THE ROUNDHOUSE ★★★★★
By Sadia Sheeraz Almost a decade after announcing the end of the band that started his career, Pulp frontman Jarvis…
Movember at LSE
By Sachin Jhangiani If you see members of the AU wandering around campus with moustaches (or in some cases an…
LSESU Drama Society’s The Laramie Project: an excellent production of a good play ★★★★
By Anna Berkowitz and Ben Helme “I’ve never been to a more silent production”, said the woman sitting next to…
How has the digital age altered the way we view Art
(commentary and interview of Juliet Klottrupp by Lily Whittle and illustration by Vaneeza Jawad) The internet has transformed the way…
The Time Trial
By Max Ferrandino Saturday Morning, Carr-Saunders Hall. I wake up at around nine, later than usual, and get ready for…
Dune ★★★★
By Jack Wood and Tilly Mason Denis Villeneuve finally proves that Dune is not unfilmable. This version, which stays loyal…
Taylor Swift’s “All Too Well” ★★★★
By Sachin Jhangiani Taylor Swift’s brilliance has always been in her lyrics. They have a comforting flow to them and…
Taking London by storm: a conversation with Tilly Mason
Interview by Beatriz Silva Photography by Eliana Raddaeli Tilly is too cool for us. I was scrolling through Twitter on…
everyone here can see your grief
(poem by Sana Agarwal & illustration by Charlie To) (TW: body dysmorphia, eating disorders, loss, self-harm) everyone here can see…
Gritty and terrifying, ‘The Tragedy of Macbeth’ is a fantastic stage debut for Saoirse Ronan ★★★★★
By Anna Berkowitz Macbeth is just about one of the most famous and iconic stage plays, yet director Yael Farber…
