‘Horses on a racetrack’: Squid Game’s stark portrayal of exploitation under capitalism
(commentary on Squid Game by Sonja Belkin) (not spoiler free) “You bet on horses. It’s the same here, but we…
Reimagining Circularity Through a Walkthrough at the British Museum This October
Picture report by Annie Jia At one of the main entrances to the British Museum stands the iconic Great Court.…
I Killed a Lion
Short story by Michael Shapland Caleb ‘What would Mummy or Daddy think?’ ‘I’m not their blood. It’s different.’ Dan’s office…
On unrequited love
By Emily Petrou It’s one of those nights. The intervals of darkness which somehow spin my head infinite miles an…
The bastardisation of Basquiat
By Vani Kant Art as a discipline cannot be commodified. Its value lies in the comfort it provides by allowing…
A Review of Love after Lockdown
By Anna Baker It’s safe to say that lockdown changed my relationship with my partner significantly. As our worlds became…
Visual Arts Society contribution – Hélène Sentuc
By Hélène Sentuc This watercolour painting represents a marble vase on a socle. The scenery takes place in an outdoor…
raat ki rani (night jasmine)
i tell you again, we’ve been sitting outside for too long. the ink of night has seeped into the edges…
New Beginnings, Alanah Sarginson
I wanted to capture the disorientation, as well as the excitement, that comes with entering new environments, and the (largely…
Happiest Fool
By Didier Muller. Illustration by Salvatore Pirito. You could trick me, and I’d be grateful Tell me everything I want…
