Signing off from Reviews: Note from the Editors
By Inayah Inam and Vani Kant Personally when I started the section, I was looking for an extracurricular that would…
Killing Eve Season 4 wavers between surreal and beige, before ending in embarrassment ★★
By Ben Helme *Minor spoilers throughout* A parody of a former great. With air-guitar, quirky cameos, and drag-Jesus, it might…
An American Nightmare? : ‘America in Crisis’ at the Saatchi Gallery
By Namrata Menon ‘America in Crisis’ was devised in 1968, to chronicle the year’s fraught political arena and contextualise a…
Aldous Harding ‘Warm Chris’ : Nectar for the Bored ★★★★★
By Ben Helme Harding created my favourite album of all time, 2019’s ‘Designer’, so I was excited for her much…
The Laughter Therapist: not quite Fleabag ★★★
By Sonja Belkin and Megan Széll The Laughter Therapist bills itself as the ‘perfect watch for lovers of Fleabag’ – an…
Surrealism Beyond Borders ★★★★
By Jessica Pretorius Tate Modern’s Surrealism Beyond Borders is a jam-packed, whistle-stop-tour of Surrealism. The exhibition is certainly interesting, sometimes…
All seasoning, no meat: Fresh ★★★
By Natasha Porter Online dating is bad and modern culture treats women like slabs of meat. This is the ultimate…
Jeen-Yuhs: A Kanye Trilogy ★★★★
By Laila Eldarwish Everyone has an opinion on Kanye West, whether you think he’s crazy, inspirational, an entrepreneur, genius or…
Hamlet at the Sam Wanamaker: A Tragic Performance? ★★
By Ben Helme and Anna Berkowitz It’s perhaps the definitive Shakespeare play, and the Sam Wanamaker Playhouse should be one…
Death on the Nile ★★
By Jessica Pretorius Death on the Nile is a pleasant movie. It’s fairly engaging and enjoyable to watch, but this…
