Straight Line Crazy: Urban planning between exclusion, imposition and contestation ★★★★
By Sophia Appl-Scorza Empty, uniform space: composed of grey, concrete-like material, the stage ranges into a seated audience, that, unable…
By Sophia Appl-Scorza Empty, uniform space: composed of grey, concrete-like material, the stage ranges into a seated audience, that, unable…
By Sonja Belkin and Megan Széll The Laughter Therapist bills itself as the ‘perfect watch for lovers of Fleabag’ – an…
By Ben Helme and Anna Berkowitz It’s perhaps the definitive Shakespeare play, and the Sam Wanamaker Playhouse should be one…
By James Knudsen 9 to 5 is a story of the liberation of three women from negative patriarchal figures. Violet…
By Stevan Balac Perhaps, after all, there are only so many ways to skin a cat. With a piece of…
By James Knudsen Put on a show in 24 hours. Make it Abba. Make it fabulous. And make it a…
By Anna Berkowitz and Ben Helme In an astonishing 90 minutes, Danish director Jonas Poher Rasmussen crafts a beautiful film…
By Anna Berkowitz The National Theatre’s take on Andrea Levy’s 2004 novel about the Windrush generation is a brilliantly revived…
By Anna Berkowitz To be completely transparent, I went to this production for my contemporary literature class with zero expectations…
By Megha Alam and Tilly Mason Laughter, confusion, and shock are just a few of the emotions that the LSESU’s…