Straight Line Crazy: Urban planning between exclusion, imposition and contestation ★★★★
By Sophia Appl-Scorza Empty, uniform space: composed of grey, concrete-like material, the stage ranges into a seated audience, that, unable…
The Laughter Therapist: not quite Fleabag ★★★
By Sonja Belkin and Megan Széll The Laughter Therapist bills itself as the ‘perfect watch for lovers of Fleabag’ – an…
Hamlet at the Sam Wanamaker: A Tragic Performance? ★★
By Ben Helme and Anna Berkowitz It’s perhaps the definitive Shakespeare play, and the Sam Wanamaker Playhouse should be one…
9 to 5: satisfying, entertaining, and amusing throughout ★★★★
By James Knudsen 9 to 5 is a story of the liberation of three women from negative patriarchal figures. Violet…
Emma Rice’s ‘Wuthering Heights’ – At Best Authentic, at Worst – a Farce ★★★
By Stevan Balac Perhaps, after all, there are only so many ways to skin a cat. With a piece of…
Small Island: A Fantastic Drama That Entertains Like a Sitcom ★★★★★
By Anna Berkowitz The National Theatre’s take on Andrea Levy’s 2004 novel about the Windrush generation is a brilliantly revived…
DJ Bazzer’s Year 6 Disco ★★★★
By James Knudsen Golden Goose Theatre DJ Bazzer’s Year 6 Disco is an exciting experience that subverts one’s expectations until…
Lights Up on Jo Parker
For this (slightly late) Flipside pride interview, I spoke to second-year International Social and Public Policy with Politics student Jo…
Ameena Hamid: Making It All Work For Her
Ameena Hamid’s reputation precedes her: at just 20 years old, she is already the director and creative producer of her…
Sam Rippon on Drama Society and dramatic life choices
Third-year Politics and History student Sam Rippon is well-known in LSE creative circles for his pivotal role in LSESU Drama…
