To Cancel or not to Cancel – Where free speech begins and ends
By Lara Wiebecke Many academics dream of being recognised for their work. In some cases, however, this kind of publicity…
The Time Trial
By Max Ferrandino Saturday Morning, Carr-Saunders Hall. I wake up at around nine, later than usual, and get ready for…
Dune ★★★★
By Jack Wood and Tilly Mason Denis Villeneuve finally proves that Dune is not unfilmable. This version, which stays loyal…
Taylor Swift’s “All Too Well” ★★★★
By Sachin Jhangiani Taylor Swift’s brilliance has always been in her lyrics. They have a comforting flow to them and…
Gritty and terrifying, ‘The Tragedy of Macbeth’ is a fantastic stage debut for Saoirse Ronan ★★★★★
By Anna Berkowitz Macbeth is just about one of the most famous and iconic stage plays, yet director Yael Farber…
The End of Marvel, or the End of my Youth? ★★
By Aryan Aggarwal What do you get when you combine a stellar cast, an Academy Award-winning director, and unique and…
The French Dispatch (2021) ★★★
By Jack Beeching There is a tension here, as in all of Wes Anderson’s films. He is a director obsessed…
‘Horses on a racetrack’: Squid Game’s stark portrayal of exploitation under capitalism
(commentary on Squid Game by Sonja Belkin) (not spoiler free) “You bet on horses. It’s the same here, but we…
Open letter: we’re a group of Jewish students and alumni and we say no to Hotovely on campus
To the Editor, and the LSE community at large, As Jewish students and alumni of the LSE who are committed…
Mitski Circles Through Reality on “Working for the Knife” ★★★★★
By Sharon Zheng Mitski follows up the success of her 2018 tour de force, Be the Cowboy, with her comeback…
