Taylor Swift’s “All Too Well” ★★★★
By Sachin Jhangiani Taylor Swift’s brilliance has always been in her lyrics. They have a comforting flow to them and…
Gritty and terrifying, ‘The Tragedy of Macbeth’ is a fantastic stage debut for Saoirse Ronan ★★★★★
By Anna Berkowitz Macbeth is just about one of the most famous and iconic stage plays, yet director Yael Farber…
The End of Marvel, or the End of my Youth? ★★
By Aryan Aggarwal What do you get when you combine a stellar cast, an Academy Award-winning director, and unique and…
The French Dispatch (2021) ★★★
By Jack Beeching There is a tension here, as in all of Wes Anderson’s films. He is a director obsessed…
‘Horses on a racetrack’: Squid Game’s stark portrayal of exploitation under capitalism
(commentary on Squid Game by Sonja Belkin) (not spoiler free) “You bet on horses. It’s the same here, but we…
Open letter: we’re a group of Jewish students and alumni and we say no to Hotovely on campus
To the Editor, and the LSE community at large, As Jewish students and alumni of the LSE who are committed…
Mitski Circles Through Reality on “Working for the Knife” ★★★★★
By Sharon Zheng Mitski follows up the success of her 2018 tour de force, Be the Cowboy, with her comeback…
The Beaver at the BFI: LFF 2021
By Syed Zaid Ali Syed Mudzhar 7 films. 7 reviews. Syed gives the alternative mega review of this year’s London…
Squashing the Competition
By Suryaansh Jain At LSE, it’s quite natural to feel stressed, tired and overworked. One might even have the rare…
An Honest Take on LSE’s Freshers Week
Written by Anonymous When you search online for ‘LSE social life’, you’re hard pressed to find a post that isn’t…
