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Making sense of LSE since 1949

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The Distant Barking of Dogs (2017)

By Fabien Schmidt On Thursday, 3rd of March 2022, LSE’s Amnesty International Society organized a screening of the documentary, “The…

March 31, 2022
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The pandemic and artists

(by Kelly Pua & illustrated by Elysia Gilman) I have always seen myself as a creative person. Doodling in the…

March 31, 2022
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Do not stand at our graves and weep

(by Sana Agarwal & illustrated by Vaneeza Jawad) / TW: violence, rape, death

March 31, 2022
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Alt-J: The Dream ★★★

By Jessica Pretorius Like many, my knowledge of the Alt-J doesn’t go much further than 2012’s Breezeblocks. But, when I…

March 30, 2022
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The beaverification of life, one last time

Interview by Beatriz Silva Photography by Eliana Radaelli When the current Executive Committee was handed this newspaper last June, we…

March 29, 2022
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Where are the birds going?

(by Alejandro Wagner, winner of the Flipside Short Story Competition 2022)

March 29, 2022
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House Plants, Cathedrals, and Misplaced Homes

(by Sudha Jagatheesh-Jayanand, runner-up in the Flipside Short Story Competition 2022)

March 29, 2022
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The successful woman’s paradox

(by Anna Baker and illustrated by Vaneeza Jawad) POV: you sit down and open Instagram for some classic midday scrolling,…

March 29, 2022
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Mother’s Day Film Recommendations

By Inayah Inam An under-appreciated holiday I would say, Mother’s Day really should get a lot more attention. So here…

March 28, 2022
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9 to 5: satisfying, entertaining, and amusing throughout ★★★★

By James Knudsen 9 to 5 is a story of the liberation of three women from negative patriarchal figures. Violet…

March 26, 2022
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