Mitski Circles Through Reality on “Working for the Knife” ★★★★★
By Sharon Zheng Mitski follows up the success of her 2018 tour de force, Be the Cowboy, with her comeback…
The Beaver at the BFI: LFF 2021
By Syed Zaid Ali Syed Mudzhar 7 films. 7 reviews. Syed gives the alternative mega review of this year’s London…
Squashing the Competition
By Suryaansh Jain At LSE, it’s quite natural to feel stressed, tired and overworked. One might even have the rare…
An Honest Take on LSE’s Freshers Week
Written by Anonymous When you search online for ‘LSE social life’, you’re hard pressed to find a post that isn’t…
Newcastle’s Takeover Reflects How Football Ownership Is Changing
By Sofia Lammali At 5pm on 7 October, Newcastle fans received the news they had been waiting for: their club…
to hell with it – PinkPantheress ★★★★
Y2K as a genre is not descriptive enough, given that it can be used to describe both the fast-paced electronic…
Office hour with Prof Beav 1.0
By Professor Beav Hey Prof Beav, I have something to get off my chest and there is no easy way…
The Many Saints of Newark misses the mark ★★
By Inayah Inam If you’re a fan of The Sopranos you’ll be mildly satisfied, but this unnecessary prequel doesn’t live…
On unrequited love
By Emily Petrou It’s one of those nights. The intervals of darkness which somehow spin my head infinite miles an…
“Terrible music”, “stampede” – rows over the AU Welcome Night
By Alina Chen As a self-proclaimed tactful journalist, my ears inevitably perked up when I heard that the AU Welcome…
