Aftersun ★★★★★
by Vanessa Huang As children, we see our parents as infallible. Over time, this image is slowly chipped away and…
A Streetcar Named Desire at the Almeida Theatre ★★★★★
by Syed Zaid Ali Hot off the heels of the critically acclaimed revival of Cabaret at the Playhouse Theatre, Rebecca…
The Car by Arctic Monkeys ★★★★
by Sofia Lammali The Arctic Monkeys’ seventh studio album The Car marks the Sheffield band’s transition from an indie rock…
The Crown – Season 5 ★★★
by Jeremy Ricketts-Hagan Season 5 of The Crown premiered in a year of immense change for the Royal Family, and…
House of the Dragon vs The Lord of the Rings: The Rings of Power
House of the Dragon by Sulakshi Ratnayake ★★★★ Game of Thrones had been completely erased from the cultural zeitgeist, due…
Falling for Christmas ★★★★★
by Vanessa Huang If you have yet to see Falling for Christmas, now is the point where you put this…
Blue Rev by Alvvays ★★★★★
by Sebastian Ching Alvvays’ third album is a wiser and more self-assured refinement of their signature layered and dreamy indie…
William Kentridge at the Royal Academy ★★★★
by Sophie Jordan The medium of charcoal often conjures up images of smudged fingerprints on cold white paper and vague…
Midnights by Taylor Swift, Ranked!
by Hila Davies The much anticipated tenth studio album, Taylor Swift’s Midnights, is a dazzling concoction of contemporary sounds and…
The Beaver at The BFI, 2022
With articles by Jack Beeching, William Goltz, Vanessa Huang, Christina Jiang, Liv Kessler, Jill Shaughnessy and Syed Zaid Ali. Illustrated…
