Blue Rev by Alvvays ★★★★★
by Sebastian Ching Alvvays’ third album is a wiser and more self-assured refinement of their signature layered and dreamy indie…
William Kentridge at the Royal Academy ★★★★
by Sophie Jordan The medium of charcoal often conjures up images of smudged fingerprints on cold white paper and vague…
Midnights by Taylor Swift, Ranked!
by Hila Davies The much anticipated tenth studio album, Taylor Swift’s Midnights, is a dazzling concoction of contemporary sounds and…
The Beaver at The BFI, 2022
With articles by Jack Beeching, William Goltz, Vanessa Huang, Christina Jiang, Liv Kessler, Jill Shaughnessy and Syed Zaid Ali. Illustrated…
My Neighbour Totoro at the Barbican – ★★★★★
by JESSICA PRETORIUS Illustrated by Anoushka Guli When you search for images of the Royal Shakespeare Company’s (RSC) stage adaptation…
Athena ★★★★★
By Jeremy Ricketts-Hagan Athena is best summarised by the quote used at the end of its first trailer. “It is…
Don’t Worry Darling ★★★
by Rachel Ponting From rumours of Florence Pugh and Olivia Wilde falling out on set to Harry Styles supposedly spitting…
To Kill a Mockingbird at the Gielgud Theatre ★★★★★
How do you solve a problem like Atticus Finch? by Sarah Coyle Since the 2015 publication of Harper Lee’s second…
Syed Zaid Ali’s All Time Best
Bon Iver’s 22, A Million For my all-time best, I’ve decided to go with Bon Iver’s third studio album 22,…
Kassandra in Wonderland – Review of Punchdrunk’s ‘The Burnt City’ ★★★★
by Sophia Appl Scorza Our immersion into a world of gods and mortals starts in a dimly lit bar, wrapped…