Syed Zaid Ali’s All Time Best
Bon Iver’s 22, A Million For my all-time best, I’ve decided to go with Bon Iver’s third studio album 22,…
Kassandra in Wonderland – Review of Punchdrunk’s ‘The Burnt City’ ★★★★
by Sophia Appl Scorza Our immersion into a world of gods and mortals starts in a dimly lit bar, wrapped…
A Summer, Staged
by Syed Zaid Ali “Daddy” A Melodrama – 5/5 Honestly, this wasn’t a play I looked forward to much at…
Straight Line Crazy: Urban planning between exclusion, imposition and contestation ★★★★
By Sophia Appl-Scorza Empty, uniform space: composed of grey, concrete-like material, the stage ranges into a seated audience, that, unable…
Signing off from Reviews: Note from the Editors
By Inayah Inam and Vani Kant Personally when I started the section, I was looking for an extracurricular that would…
Killing Eve Season 4 wavers between surreal and beige, before ending in embarrassment ★★
By Ben Helme *Minor spoilers throughout* A parody of a former great. With air-guitar, quirky cameos, and drag-Jesus, it might…
An American Nightmare? : ‘America in Crisis’ at the Saatchi Gallery
By Namrata Menon ‘America in Crisis’ was devised in 1968, to chronicle the year’s fraught political arena and contextualise a…
Aldous Harding ‘Warm Chris’ : Nectar for the Bored ★★★★★
By Ben Helme Harding created my favourite album of all time, 2019’s ‘Designer’, so I was excited for her much…
The Laughter Therapist: not quite Fleabag ★★★
By Sonja Belkin and Megan Széll The Laughter Therapist bills itself as the ‘perfect watch for lovers of Fleabag’ – an…
Surrealism Beyond Borders ★★★★
By Jessica Pretorius Tate Modern’s Surrealism Beyond Borders is a jam-packed, whistle-stop-tour of Surrealism. The exhibition is certainly interesting, sometimes…
