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SUBMIT A TIP

Making sense of LSE since 1949

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The pandemic and artists

(by Kelly Pua & illustrated by Elysia Gilman) I have always seen myself as a creative person. Doodling in the…

March 31, 2022
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Do not stand at our graves and weep

(by Sana Agarwal & illustrated by Vaneeza Jawad) / TW: violence, rape, death

March 31, 2022
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The political dimension of Art: protest Art in Russia

(by Anouk Pardon and illustrated by Vaneeza Jawad) Art has always served as a medium to express human emotions. It…

March 30, 2022
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Where are the birds going?

(by Alejandro Wagner, winner of the Flipside Short Story Competition 2022)

March 29, 2022
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House Plants, Cathedrals, and Misplaced Homes

(by Sudha Jagatheesh-Jayanand, runner-up in the Flipside Short Story Competition 2022)

March 29, 2022
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The successful woman’s paradox

(by Anna Baker and illustrated by Vaneeza Jawad) POV: you sit down and open Instagram for some classic midday scrolling,…

March 29, 2022
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sometimes the need to write

(by Ambre Pluta and illustrated by Vaneeza Jawad) sometimes the need to write is not   something that i can explain…

March 12, 2022
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Been there, done that, got the T-shirt

(by Lily Whittle and illustrated by Vaneeza Jawad) T-shirt activism; self-expression or performative?  Wear any band T-shirt and you will…

March 12, 2022
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Under 18 Only

(by Amelia Gantt and illustrated by Vaneeza Jawad) Coming-of-age films about under-18s are the main form of exploratory youth media…

March 9, 2022
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Home

(by Emily Petrou) Outbound Inbound In and Out Home and Away from home. Its scary, 3 month old shine And…

March 1, 2022
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