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SUBMIT A TIP

Making sense of LSE since 1949

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Under 18 Only

(by Amelia Gantt and illustrated by Vaneeza Jawad) Coming-of-age films about under-18s are the main form of exploratory youth media…

March 9, 2022
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Home

(by Emily Petrou) Outbound Inbound In and Out Home and Away from home. Its scary, 3 month old shine And…

March 1, 2022
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Mother Wounds

(by Sadia Sheeraz and illustrated by Vaneeza Jawad) Mother Wounds These mother wounds mark my body No scars on my…

March 1, 2022
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London in doors (in situ drawings)

(by Lily Whittle) London in doors: in situ drawings of doors around the Bloomsbury area.

February 23, 2022
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Éloge funèbre à mon enfance

(by Anais La-Chon) Today, I mount these stones Upon a flattened hill. They will reach the zenith, Far, far beyond,…

February 20, 2022
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lately

(by Sana Agarwal) these days i cling to hope like i barely know its face it has been blurry lately…

February 17, 2022
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Your book doesn’t have to start on the first of January

(by Ambre Pluta) Every year, as December comes to an end, the last week seems frozen in time. It’s the…

February 11, 2022
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Das Monster unter meinem Bett 

(by Anouk Pardon and illustrated by Vaneeza Jawad) Das Monster unter meinem Bett  lacht manchmal leise  Es findet meine Furcht…

February 9, 2022
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Buying Aesthetics

(by Amelia Gantt and illustrated by Vaneeza Jawad) The aesthetic ethos of Gen Z seems to be characterised by the…

February 6, 2022
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The Plight of the Female Brass Player

By Anna Baker The Plight of the Female Brass Player Women in music, like women all over history, have been…

February 5, 2022
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