Death on the Nile ★★
By Jessica Pretorius Death on the Nile is a pleasant movie. It’s fairly engaging and enjoyable to watch, but this…
The Distant Barking of Dogs (2017)
By Fabien Schmidt On Thursday, 3rd of March 2022, LSE’s Amnesty International Society organized a screening of the documentary, “The…
Mother’s Day Film Recommendations
By Inayah Inam An under-appreciated holiday I would say, Mother’s Day really should get a lot more attention. So here…
The Reviews Team Oscar Predictions 2022
By The Reviews Team In alphabetical order Best Actor in a Leading Role Opinions: “Kinda boring choices in my opinion!…
The Batman: a darker form of justice ★★★★
By Aryan Aggarwal Few superheroes have had as many renditions on the silver screen as the caped crusader. Hence director…
Euphoria Season 2: the glamorisation of sex, drugs and problematic teens continues on ★★★★
By Jessica Pretorius If season 1 of Euphoria was a ballsy display of drugs, love, and youth in general, season…
Shiva Baby: a sugar daddy, an ex-girlfriend, and a wailing baby walk into a wake (2020)
By Tilly Mason and Namrata Menon Shiva Baby, the caustic debut of writer and director Emma Seligman, is the most…
Liberating Ourselves from Ideals: An Analysis of Federico Fellini’s La dolce vita (1960)
By Manisha Thind Federico Fellini’s ground-breaking 1960 drama La dolce vita is a tale of hedonistic excess and existential angst.…
Cyrano: 17th century catfishing, but as a musical ★★
By Vanessa Huang Truly the original story of catfishing, Cyrano de Bergerac has undergone numerous updates and reworkings, including the…
Parallel Mothers: Almodóvar’s most recent take on motherhood has some heart, but ultimately falls flat ★★★
By Syed Zaid Ali Syed Mudzhar Much has been said about Almodóvar’s mastery of melodrama, but his most recent feature…
