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Making sense of LSE since 1949

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I’ll be taking flowers to the cemetery of my heart: Adele’s 30 ★★★★

By Natasha Porter “I’ll be taking flowers to the cemetery of my heart” – the first lyric we hear is…

December 12, 2021
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Zadie Smith’s The Wife of Willesden, is a Raunchy Homage to Community and the Canterbury Tales ★★★★

By Anna Berkowitz To be completely transparent, I went to this production for my contemporary literature class with zero expectations…

December 10, 2021
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  • Zadie Smith’s The Wife of Willesden, is a Raunchy Homage to Community and the Canterbury Tales ★★★★
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Writer’s block

(short story by Ambre Pluta and illustrated by Vaneeza Jawad) A blank page and a black stick that appears then…

December 10, 2021
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Last Night in Soho ★★★★

By Sharon Zheng Last Night in Soho is a polymorphic mural of drama, psychological horror, and comedy, varnished in archaic…

December 8, 2021
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Bringing us together: the power of memes at LSE

Interview by Beatriz Silva Photography by Jack Love What was the person running the Memes of LSE Instagram account going…

December 7, 2021
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My favourite kind of green: six must-visit parks

by Ben Helme I grew up in a small town in the Kent countryside; for me, spending time outside is…

December 7, 2021
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The Final Countdown: International Student Edition

by Mahnoor Murad Khan Starting a new life in a new place is never easy. Still, moving to London as…

December 7, 2021
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To the guy I overheard at Tuns

By Miss Grumpy Hey, sorry I didn’t approach you that night. I guess I was choked up in a sort…

December 7, 2021
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Lana Del Rey’s ‘Blue Banisters’ ★★★★

By Sharon Zheng Lana Del Rey reawakens the vintage scene with Blue Banisters, picking up the cobblestones laid by Chemtrails…

December 6, 2021
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RING ROUND THE MOON ★★★★

By Megha Alam and Tilly Mason Laughter, confusion, and shock are just a few of the emotions that the LSESU’s…

December 4, 2021
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