Taking London by storm: a conversation with Tilly Mason
Interview by Beatriz Silva Photography by Eliana Raddaeli Tilly is too cool for us. I was scrolling through Twitter on…
everyone here can see your grief
(poem by Sana Agarwal & illustration by Charlie To) (TW: body dysmorphia, eating disorders, loss, self-harm) everyone here can see…
Gritty and terrifying, ‘The Tragedy of Macbeth’ is a fantastic stage debut for Saoirse Ronan ★★★★★
By Anna Berkowitz Macbeth is just about one of the most famous and iconic stage plays, yet director Yael Farber…
The End of Marvel, or the End of my Youth? ★★
By Aryan Aggarwal What do you get when you combine a stellar cast, an Academy Award-winning director, and unique and…
The French Dispatch (2021) ★★★
By Jack Beeching There is a tension here, as in all of Wes Anderson’s films. He is a director obsessed…
‘Horses on a racetrack’: Squid Game’s stark portrayal of exploitation under capitalism
(commentary on Squid Game by Sonja Belkin) (not spoiler free) “You bet on horses. It’s the same here, but we…
Reimagining Circularity Through a Walkthrough at the British Museum This October
Picture report by Annie Jia At one of the main entrances to the British Museum stands the iconic Great Court.…
I Killed a Lion
Short story by Michael Shapland Caleb ‘What would Mummy or Daddy think?’ ‘I’m not their blood. It’s different.’ Dan’s office…
Altman Season at the BFI ★★★★★
By Inayah Inam Reviewing the BFI Showcase of Robert Altman’s filmography during the July – August period of 2021 When…
Mitski Circles Through Reality on “Working for the Knife” ★★★★★
By Sharon Zheng Mitski follows up the success of her 2018 tour de force, Be the Cowboy, with her comeback…
