Thank you for the Music (Society)
What can I say about LSE: at times it’s a cold, clinical, money churning machine. But at the heart of…
Week 11 Blues: Diagnostic Criteria
The length of the day coincides with the strength of your will to go on. You have deadlines looming but…
Dear Crystal: Are we even friends?
Dear Crystal, I usually never miss class, but I just couldn’t drag myself to my 9am the other day. I…
Polka Dots, Mirrors and Pumpkins
Managing Editor Morgan Fairless renders a personal account of his evolving interactions with the Japanese artist Yayoi Kusama. I have…
2018 in Film: What You Missed and What Is Yet To Come
Whilst you were splashing your student loans on Avengers: Infinity War and Jurassic Park: Fallen Kingdom, some good cinema went under your radar.…
Finding EDEN
For someone who doesn’t walk to Tesco alone, I found myself in a rather interesting fix when I realised I…
2018’s Top Ten Films
The Review staff writers came together to decide this year’s top ten films and to highlight some of 2018’s biggest…
LSE: The World’s Finest Online University
LSE’s online streaming platform has quickly become the preferred way to study at the university. Although the Echo360 system has…
Drama Society’s “The 39 Steps” Draws Raucous Laughs
The Beaver reviews Drama Society’s final production of the Michaelmas Term: The 39 Steps is a fiery comedy that showcases…
Dog Docs: For All The Good Boys We’ve Ever Loved
The new Netflix original documentary series is a treat (pun intended) for everyone. You’d be silly to think it a…
