Emma Rice’s ‘Wuthering Heights’ – At Best Authentic, at Worst – a Farce ★★★
By Stevan Balac Perhaps, after all, there are only so many ways to skin a cat. With a piece of…
It’s scamming season! Inventing Anna ★★
By Natasha Porter “This whole story is completely true, except for all the parts that are totally made up.” Netflix’s…
Mamma Mia: The Party: Jolly Good Fun!
By James Knudsen Put on a show in 24 hours. Make it Abba. Make it fabulous. And make it a…
Euphoria Season 2: the glamorisation of sex, drugs and problematic teens continues on ★★★★
By Jessica Pretorius If season 1 of Euphoria was a ballsy display of drugs, love, and youth in general, season…
Flee ★★★★★
By Anna Berkowitz and Ben Helme In an astonishing 90 minutes, Danish director Jonas Poher Rasmussen crafts a beautiful film…
Ozark Season 4 Part 1 ★★★★
By James Knudsen Picking up directly after the shocking finale of Season Three, Ozark Season Four Part One is a…
Small Island: A Fantastic Drama That Entertains Like a Sitcom ★★★★★
By Anna Berkowitz The National Theatre’s take on Andrea Levy’s 2004 novel about the Windrush generation is a brilliantly revived…
Shiva Baby: a sugar daddy, an ex-girlfriend, and a wailing baby walk into a wake (2020)
By Tilly Mason and Namrata Menon Shiva Baby, the caustic debut of writer and director Emma Seligman, is the most…
Liberating Ourselves from Ideals: An Analysis of Federico Fellini’s La dolce vita (1960)
By Manisha Thind Federico Fellini’s ground-breaking 1960 drama La dolce vita is a tale of hedonistic excess and existential angst.…
Cyrano: 17th century catfishing, but as a musical ★★
By Vanessa Huang Truly the original story of catfishing, Cyrano de Bergerac has undergone numerous updates and reworkings, including the…
