An invitation to watch what would have been the final dress rehearsal of LSESU Drama Society’s production of Sister Act was extended to all creative societies at LSE, many of whom could not hold their final shows due to the recent COVID-19 outbreak. At the start of the night, director Sam Rippon prefaced the show with a short speech asking that we, the audience, be forgiving of any mistakes that would occur as this was not a planned performance. Yet it was an almost perfect show, especially given everything that was happening at the time and I applaud the commitment of the cast and crew to see this production to its untimely end.
Firstly, when those curtains opened, I was completely blown away by the immaculate set: courtesy of the stage and design team, Harri Compton, Barney Peel, and Sharon Zheng. The stained glass on the make-shift church truly pulled the entire stage together. Furthermore, the impeccable lighting design of Jo Parker elevated the show to a whole ‘nother level (and those flashy disco lights were *chef’s kiss*). Of course, who could ignore the wonderful talents of the musical directors Calvin Kong and Quin Pau who adapted to every challenge thrown their way, from missing ensemble members to disappearing instruments. I must say that Josie Stephens’ choreography was to die for and it truly managed to blend the disco and gospel choir elements. This was paired with some of the best costumes I have ever seen to grace an LSE stage, truly capturing the essence of the show.
But of course, I have to mention the cast of the show — from the most talented and synchronised superfluity of nuns to a squad of goons fit for any bachelor party (specifically mine), this chorus truly gave the show its own personality. It would be impossible to forget Pavan Rao’s immaculate impersonation of a mafia boss, or James Knudsen’s incredible portrayal of a sweaty cop. But the true cherry on top of an already perfect ensemble-cake was Deborah Afolabi’s portrayal of Deloris Van Cartier. Whoopi Goldberg, I know you originated the role, but Deborah truly pushed the character to its limits. I hope that one day she too may be able to grace the West End stage.
I can’t end my review without commending the creative efforts of Director Sam Rippon and Producer Ameena Hamid. The show would not have been possible were it not for their effort to pull everything together at the very last minute. I hope you are both just as proud of yourselves as you no doubt are of your entire team. *Insert standing ovation.* When that curtain call came, I couldn’t help but feel the mixture of happiness, melancholy, pride, and disappointment brewing amongst the company of Sister Act. I’m sorry that you guys were not able to put on the performance you wanted, but I’ll tell you right now, you could feel everything being left behind on the Old Theatre stage for one last time. All we can do now is wait for more gems to come out of the Drama society in years to come.
Editor’s note: If you – like me – are heartbroken that you weren’t able to see Sister Act, don’t fret! Keep an eye out for clips of the show on the LSESU Drama Society’s Facebook page.
