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Making sense of LSE since 1949

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The Christmas Box Office Bloodbath

Mary Poppins who? Aquaman drowns out all competition to be 2018’s uncontested holiday season champion. The end-of-year holiday season is…

January 8, 2019
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Binge-Worthy TV Recommendations

The Christmas holidays are nearly over – but it’s not all bad news. Need a new show to binge before…

January 7, 2019
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“The Favourite”: the period drama genre sharpens its teeth

Rachel Weisz perched seductively on Olivia Colman’s lap, both dressed in Stuart-era attire. Emma Stone shooting a pigeon, splattering blood…

January 3, 2019
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“Support the Girls” director on the pitfalls of optimism and the underrated Regina Hall

In Support the Girls, Lisa is a manager of a sports bar similar to Hooters where a particular type of…

December 20, 2018
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Thank you for the Music (Society)

What can I say about LSE: at times it’s a cold, clinical, money churning machine. But at the heart of…

December 15, 2018
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Week 11 Blues: Diagnostic Criteria

The length of the day coincides with the strength of your will to go on. You have deadlines looming but…

December 15, 2018
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Dear Crystal: Are we even friends?

Dear Crystal, I usually never miss class, but I just couldn’t drag myself to my 9am the other day. I…

December 15, 2018
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Polka Dots, Mirrors and Pumpkins

Managing Editor Morgan Fairless renders a personal account of his evolving interactions with the Japanese artist Yayoi Kusama. I have…

December 14, 2018
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2018 in Film: What You Missed and What Is Yet To Come

Whilst you were splashing your student loans on Avengers: Infinity War and Jurassic Park: Fallen Kingdom, some good cinema went under your radar.…

December 14, 2018
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The Crisis: it’s ecosocialism or fascism

The environmental crisis is huge – the biggest crisis humanity will see. It’s bigger than both World Wars and the…

December 13, 2018
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