“Colette”: A feminist portrait more forgettable than its subject
Colette had a daunting task: to defy gender norms and explore how an overshadowed artist can forge her own identity.…
The Christmas Box Office Bloodbath
Mary Poppins who? Aquaman drowns out all competition to be 2018’s uncontested holiday season champion. The end-of-year holiday season is…
Binge-Worthy TV Recommendations
The Christmas holidays are nearly over – but it’s not all bad news. Need a new show to binge before…
“The Favourite”: the period drama genre sharpens its teeth
Rachel Weisz perched seductively on Olivia Colman’s lap, both dressed in Stuart-era attire. Emma Stone shooting a pigeon, splattering blood…
“Support the Girls” director on the pitfalls of optimism and the underrated Regina Hall
In Support the Girls, Lisa is a manager of a sports bar similar to Hooters where a particular type of…
Thank you for the Music (Society)
What can I say about LSE: at times it’s a cold, clinical, money churning machine. But at the heart of…
Week 11 Blues: Diagnostic Criteria
The length of the day coincides with the strength of your will to go on. You have deadlines looming but…
Dear Crystal: Are we even friends?
Dear Crystal, I usually never miss class, but I just couldn’t drag myself to my 9am the other day. I…
Polka Dots, Mirrors and Pumpkins
Managing Editor Morgan Fairless renders a personal account of his evolving interactions with the Japanese artist Yayoi Kusama. I have…
2018 in Film: What You Missed and What Is Yet To Come
Whilst you were splashing your student loans on Avengers: Infinity War and Jurassic Park: Fallen Kingdom, some good cinema went under your radar.…
