“The Favourite”: the period drama genre sharpens its teeth
Rachel Weisz perched seductively on Olivia Colman’s lap, both dressed in Stuart-era attire. Emma Stone shooting a pigeon, splattering blood…
“Support the Girls” director on the pitfalls of optimism and the underrated Regina Hall
In Support the Girls, Lisa is a manager of a sports bar similar to Hooters where a particular type of…
Thank you for the Music (Society)
What can I say about LSE: at times it’s a cold, clinical, money churning machine. But at the heart of…
Week 11 Blues: Diagnostic Criteria
The length of the day coincides with the strength of your will to go on. You have deadlines looming but…
Dear Crystal: Are we even friends?
Dear Crystal, I usually never miss class, but I just couldn’t drag myself to my 9am the other day. I…
Polka Dots, Mirrors and Pumpkins
Managing Editor Morgan Fairless renders a personal account of his evolving interactions with the Japanese artist Yayoi Kusama. I have…
2018 in Film: What You Missed and What Is Yet To Come
Whilst you were splashing your student loans on Avengers: Infinity War and Jurassic Park: Fallen Kingdom, some good cinema went under your radar.…
Finding EDEN
For someone who doesn’t walk to Tesco alone, I found myself in a rather interesting fix when I realised I…
2018’s Top Ten Films
The Review staff writers came together to decide this year’s top ten films and to highlight some of 2018’s biggest…
LSE: The World’s Finest Online University
LSE’s online streaming platform has quickly become the preferred way to study at the university. Although the Echo360 system has…
