The Haystack: “We can’t find the needles, unless we collect the whole haystack.”
Written by: Amber Iglesia and Zehra Jafree Al Blyth’s debut play The Haystack at the Hampstead Theatre centres on two…
The Last Dam Word #2: February ’20
“Rupert Everett was the first guest to ever say shag on the show – I know scandalising Radio 4 listeners!”…
The Beverage Report Ep 1: Darling’s brilliance is a relic of Labour’s past ★★★★
Marking the launch of the LSE Economics Department podcast, Matthew Bradbury’s interview with Labour’s ex-chancellor Alistair Darling was insightful, informative,…
Waiting for Anya: Not worth the wait ★★
Tackling the Holocaust warrants bravery and rendering such a tragedy into fiction for young audiences is a noble intention. Upon…
Malaysia Night 2020: Re:Believe
Last Saturday evening, Malaysia Club’s annual culture extravaganza Re:Believe was pulled off. Malaysia Night is a huge scale event, with…
Private Lives: An iced cocktail of a play that goes down a treat
Private Lives, Noël Coward’s delightfully outrageous comedy, was first performed in the year succeeding the Wall Street Crash when the…
My 4 (very long) days of online dating
Illustration by Colette Fogarty Despite having heard a number of horror stories over the years, last week I decided to…
Sex Education Season 2 – a letdown expected for a first-timer, not a second
Sex Education season one was pretty great. I remember it being good-looking, sexy, cool, aware, and honest, whilst, yes, giving…
Sex does not thrive on monotony: re-visiting Anais Nin on her 117th birthday
Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it…
Call Me When You Get This: In conversation with Sebastian Mullen
Call Me When You Get This premiered on the 31st of January 2020. Second-year IR student Sebastian Mullen wrote, starred…
