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Making sense of LSE since 1949

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Hiatus 2018

The biggest show sitting out 2018 is Game of Thrones. As with Veep, which is also delayed until next year,…

February 13, 2018
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“Phantom Thread” will be talked about for years

In Phantom Thread, Paul Thomas Anderson’s latest masterpiece, Day Lewis plays Reynolds Woodcock, a genius dressmaker in 1950s London, whose…

February 13, 2018
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Low Expectations and Even Lower Water Pressure

I can only apologise for what has been an inexcusable break in blog posting. I am sure this literary drought…

February 13, 2018
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LSE FIGHT NIGHT 2018

One and a half weeks remained before Fight Night when I sat down to observe a training session – to…

February 11, 2018
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Just Mercy – A Response to the Prayer Incident

On February 9th, The Beaver posted a news piece about a student who alleged that a member of LSE security…

February 11, 2018
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Oh, hi Tommy: “The Room” at the Prince Charles is way more fun than it should be

By Adam Solomons “Plastic spoons only”, a stern steward told us moments before the late-night screening of The Room was…

February 10, 2018
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Identity Politics and Race: A Response to ‘Dear White People’, Issue 887

Reading the two rebuttals in last week’s edition of the Beaver by Eileen and Tania to a previous Beaver article titled…

February 9, 2018
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Vision 2020- a 21st Century Ujamaa

The political thought of Rwanda’s president is a sensible model for much of Africa. Rwanda is quite unlike any other…

February 9, 2018
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Poverty of Labels: The Author’s Conclusions and Apology

THE POVERTY OF LABELS: THE AUTHOR’S CONCLUSIONS AND APOLOGY I would like to thank everyone for their response to my…

February 9, 2018
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A response to “Dear White People: no melanin, no opinion” – a Brownsplanation.

I too shall start this piece with full disclosure – in case it wasn’t obvious already, I hail from Middle…

February 9, 2018
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