The Testaments – an unworthy sequel to The Handmaid’s Tale ★★★
This week Margaret Atwood’s The Testaments and Bernardine Evaristo’s Girl, Woman, Other shared the Booker Prize, the first time the…
This week Margaret Atwood’s The Testaments and Bernardine Evaristo’s Girl, Woman, Other shared the Booker Prize, the first time the…
When I read Mishima’s novel, the Golden Pavilion mystified me. But seeing it in person was a different story. No…
“I just want what everyone else wants,” an ageing Judy Garland croaks to a BBC interviewer in the winter of…
As summer comes to a close, it seems appropriate to look back on Two Door Cinema Club’s Tourist History. Released…
Image of Tottenham Hotspur Stadium courtesy of Jacqueline Weitz The Tottenham Hotspur Stadium put on quite the show for its…
Sadly, The Irishman marks the end of the 2019 London Film Festival. However, this five-star review for the latest Scorcese…
Director Marrianne Heller has brought beloved television presenter Fred Rogers to the screen, following up on her success with Can…
Upon first listen, Loraine James’ album comes to us rather more like a fledgling EP. It feels too zig-zaggy; ill…
To win a race, all you need is “the right man behind the wheel”. James Mangold’s Le Mans ‘66 reminds…
Men’s FC at the charity football match The Men’s Football Club (FC) are not always regarded as the most decorous…