Netflix’s “The Night Comes for Us” makes “John Wick” look like “Mamma Mia”
In recent years Indonesian productions have flipped the action genre on its head by giving us some of the best…
“Maniac”: A Game Of Tetris
The Netflix limited series Maniac follows the psychedelic experiences of strangers Annie and Owen during a pharmaceutical trial and their…
Review: Drama Society’s “And Then There Were None”
The Beaver reviews Drama Society’s first production of the year: an adaptation of Agatha Christie’s famous And Then There Were…
“Suspiria” – Am I Scaring You Tonight?
Luca Guadagnino’s harrowing dance epic takes the Call Me By Your Name director far from his usual fair of sun-soaked…
At Max’s, Sandwiches With A Soundtrack
On a quiet stretch of Crouch Hill Road, a 10-minute walk north from Finsbury Park tube station, lies the unassuming…
199Z: Diversity Revisited: A fusion of art, culture and of course, fashion
“Diversity” is one of the most widely-used buzzwords in society today. From affirmative action initiatives in politics to discussion around…
Odell’s Ode to London
Fans lined up by the dozens in the cold outside London’s iconic concert room Hammersmith Apollo, full of impatience and…
‘The Reign Of The Middle-Aged White Man Is Over’: “House of Cards” Takes Its Final Bow
House of Cards’ final season dropping on Netflix days before last week’s US midterms seemed to have little impact in…
“Widows”: A Blockbuster Worthy Of Your Money
In a room you’ll find Ocean’s 8, American Animals and King of Thieves muttering amongst themselves. Late to the party…
“Halloween”: Who Hunts Whom?
Forty years have passed since masked murderer Michael Myers first wreaked havoc on the town of Haddonfield. The Halloween franchise,…
