Diversifying economics – it’s about more than the statistics
By Sheila Mutua For many, it will be unsurprising to learn that Black people and other racial minority groups are…
Students double-jabbed overseas still forced to self-isolate
By Vanessa Huang During the ‘pingdemic’ earlier this year, as many as 689,313 users over a single week received self-isolation…
To Cancel or not to Cancel – Where free speech begins and ends
By Lara Wiebecke Many academics dream of being recognised for their work. In some cases, however, this kind of publicity…
The Time Trial
By Max Ferrandino Saturday Morning, Carr-Saunders Hall. I wake up at around nine, later than usual, and get ready for…
Dune ★★★★
By Jack Wood and Tilly Mason Denis Villeneuve finally proves that Dune is not unfilmable. This version, which stays loyal…
Taylor Swift’s “All Too Well” ★★★★
By Sachin Jhangiani Taylor Swift’s brilliance has always been in her lyrics. They have a comforting flow to them and…
Gritty and terrifying, ‘The Tragedy of Macbeth’ is a fantastic stage debut for Saoirse Ronan ★★★★★
By Anna Berkowitz Macbeth is just about one of the most famous and iconic stage plays, yet director Yael Farber…
The End of Marvel, or the End of my Youth? ★★
By Aryan Aggarwal What do you get when you combine a stellar cast, an Academy Award-winning director, and unique and…
The French Dispatch (2021) ★★★
By Jack Beeching There is a tension here, as in all of Wes Anderson’s films. He is a director obsessed…
‘Horses on a racetrack’: Squid Game’s stark portrayal of exploitation under capitalism
(commentary on Squid Game by Sonja Belkin) (not spoiler free) “You bet on horses. It’s the same here, but we…
