the art of old films
Old doesn’t mean the hard hitting box office slams of the 2000s or the love stories to the tune of…
Secrets of Netflix: “Creep” (2014)
Creep (2014), dir. Patrick Brice, starring: Mark Duplass and Patrick Brice Creep is maybe my favourite found-footage film of recent…
The week’s film news
WOODY ALLEN CONDEMNATIONS CONTINUE The list of Woody Allen’s former colleagues speaking out against him grew longer this week as…
“Three Billboards” is the social comedy-drama we’ve been waiting for
By Adam Solomons 5/5 — Almost to the day, ten years ago, Martin McDonagh’s breakthrough In Bruges screened for the first…
“When you’re about 16 they go from Aww he’s cute to Ahh he’s shite.” Lewis Capaldi interview
Adam sits down with the Scottish singer-songwriter to discuss celebrity fans, working with Frank Ocean’s producer, and the 21-year-old’s skincare…
‘Bigmouth Strikes Again’ – Why I can’t keep apologising for Morrissey’s racism
“I hate sexual situations that are forced on someone. But in many cases one looks at the circumstances and thinks…
Barrafina
Barrafina is a highly sought after, no reservations Spanish tapas restaurant down a quaint street just off the Strand. With…
“Moonlight is a Beautiful Ode to Beauty and Suffering”
This article originally appeared in the Beaver issue of Tuesday January 10, 2017. Barry Jenkins’ Oscars contender, adapted from…
The culturally ignorant “Pitch Perfect 3” proves aca-lutely terrible
As soon as the Universal Studios vanity card showed up – the jingle was performed a capella, you see –…
“Molly’s Game” lets a virtuoso screenwriter hold a camera, to generally good effect
Every Aaron Sorkin-written movie these days seems to open with a sizeable, choppy sequence where the narcissistic-genius protagonist displays their…
